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Pink Paper

Life of

Leandro V. Locsin

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More Information

The Story

One of  Manila’s notable  landmark is the CCP  Complex. Built on  reclaimed  land, it holds the Cultural Center of the Philippines, Folk Arts Theater, Philippine International Convention Center (PICC), Philippine   Center   for   International  Trade   and   Exhibition (PHILCITE),   and   the Sofitel Philippine Plaza – all designed by Leandro Locsin, making it a virtual Locsin complex.

Getting Started

The Roots

Leandro V. Locsin (1928-1994) is the 3rd Philippine National Artist for Architecture (1990), after Juan Nakpil (1973) and Pablo Antonio (1976). Most Filipino architects of his time were trained in Europe and the United States, or have taken undergraduate or graduate studies abroad. He, on the other hand, pursued his studies solely  within the Philippines.  A talented pianist, Locsin enrolled at the University of Santo Tomas Conservatory  of Music to pursue a career in music.  A year before graduating, he shifted to the School  of Architecture in the same university. While pursuing  his architectural  studies, he  worked  as an  artist-draftsman  at the Ayala Corporation. He graduated in 1953  but before  establishing his practice, he designed stage  sets for  ballets. Later on, he would design for the esteemed dance pioneer, Martha Graham.


The History

In 1955, Locsin was commissioned by  the Catholic Chaplain of the University  of the Philippines, Diliman, to design a chapel that is open and with a capacity of 1,000 people. The Church of the Holy  Sacrifice, the first round chapel in the Phils. with the altar in the centre, and the first to have a   thin   shell   concrete   dome,   is   now a   landmark   not   only in   the   university,  but is a declared National Cultural Treasure by  the National Museum  and a National Historical Landmark by the National Historical Institute.

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Locsin’s designs are marked by  his distinct use of concrete, themes of floating volume, the use of native materials, the roof emphasized as the dominant form, wide   overhanging eaves, massive supports, interior lattices and trellises, ornamental  detail contasted with simple forms, and  spacious interiors. His peers have described him  as the “Poet of Space” for  the  way he articulated space using straightforward geometry.

Wife of Locsin

Cecilia Lulo

wife

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